Sunday, 4 September 2011

Photography 1: TAOP, Ex Juxtaposition

Project: Illustration
Exercise: Juxtaposition

5700.jpg; F22; 1/15s

In this photograph an artist is shown surrounded by the her work.  The artist works in kiln-formed glass to create her objects.  The line of objects to the right of the photograph lead the eye to the artist and provide a link between them.

What have I learned from this exercise?

Putting together two elements so as to suggest a relationship is the mainstay of illustration.  One or both of them can be symbols, but even this is not necessary.  The important thing is to suggest a connection.  One of the easiest ways of doing this is simply to place manageable objects together, in a still-life shot of one kind or another.  Still-life photography has the considerable advantage of being controllable, and possible to do, whatever the weather and lighting outside.  This is one reason why so much still-life photography is used in advertising, on book covers and in magazines.

Another way of combining images is to find a viewpoint, together with an appropriate focal length of lens, that shows the two elements together.

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