Exercise: Colours into tones in black-and-white.
For this exercise I arranged a small group of objects with very pure, contrasting colours and even lighting. The still life was processed first in colour, then copies processed into different black-and-white versions using a black and white conversion program.
One image was produced using no filter (neutral), then using a yellow filter, red filter, blue filter and a green filter. This produced 5 black and white images each with different tonal effects. Use of the filters allowed certain objects to be emphasised while suppressing others.
The six images are shown below:
Original; Nikon D300; 18-105mm lens; F18; 1/10s |
Neutral; Nikon D300; 18-105mm lens; F18; 1/10s |
Yellow Filter; Nikon D300; 18-105mm lens; F18; 1/10s |
Red Filter; Nikon D300; 18-105mm lens; F18; 1/10s |
Blue Filter; Nikon D300; 18-105mm lens; F18; 1/10s |
Green Filter; Nikon D300; 18-105mm lens; F18; 1/10s |
What have I learned from this exercise?
A strongly coloured filter will allow certain colours to pass through, but block others. Eg, for a red rose against a blue sky, a red filter will allow all of the light from the rose petals to pass through, but block most of the blue light from the sky. If placed in front of a camera lens, the effect on the image in black and white would be a bright rose and a very dark sky.
Each filter lightens the tone of any object that has the same colour, and darkens the tone of the others. The darkening effect is strongest on the complementary colour.
In black and white imagery, this effect gives a powerful tonal control, and allows certain objects to be emphasised in a scene while suppressing others.
The different filters can be applied to the original image to obtain the best balance of tones in the scene.
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